Nirmala Biluka is primarily a visual artist. Her work has been consistently exploring the often- neglected feminine voices in history and contemporary society through self-representation as the protagonist in her paintings. Apart from practicing water colors and other mediums in large scale art works, she is currently exploring performance, installations and community art. She also curated numerous new media art exhibitions. Her recent works are informed by Eco feminist and Environmental justice frameworks that consider the hierarchical structures of gender and class as reasonings behind the subjugation of both women and nature. These constructs often lead to masculinized acts of violence and subjugation of women, animals and the natural world. Such masculine cultural norms can be seen in hunting, domesticity and exploitation of land and natural resources. Her current work explores sculpture in wax and metal, recognizing the intersections between climate change and social issues and is an extended study on the Indian deities and their association with nature and fertility. As the melting wax sculpture represents global warming, the goddess like woman attempts to save the earth reflecting on Hindu myth of Lord Varaha saving Bhudevi. The watercolors contemplate on the alarming rate at which species are becoming extinct.